The Changing Americas 2025

State: MD

Dimensions: 20 x 14
Media: Watercolor

State: MD

Dimensions: 16 x 12
Media: Watercolor

State: Maryland

Dimensions: 26 x 26
Media: Oil on panel

State: Maryland

Dimensions: 13 x 16
Media: Oil on canvas framed and matted (13" x 16" is framed size)

State: OH

Dimensions: 18 x 24 x 1
Media: Oil Paint on Hardfwood Panel
Artist Statement : My paintings explore quiet, familiar landscapes in the northeastern U.S., where natural rhythms and human impact converge. "The Last Harvest" depicts a snow-covered field stripped bare, perhaps an ecological warning. This work resists an idealized view of nature, instead offering a reflective yet cautionary scene shaped by memory, seasonal change, and environmental tension. Subtle shifts in light and perspective suggest that landscapes are not merely static backdrops, but living systems, vulnerable, resilient, and in constant flux. I aim to prompt viewers to pause, look closely, and reconsider their relationship to the land in a time of ongoing transformation.

State: OH

Dimensions: 18 x 24 x 1
Media: Oil Paint on Hardwood Panel
Artist Statement : My paintings explore quiet, familiar landscapes in the northeastern U.S., where natural rhythms and human impact converge. "Evergreen" depicts a lone russet pine tree that glows like a warning light in a winter forest. This work resists an idealized view of nature, instead offering a reflective yet cautionary scene shaped by memory, seasonal change, and ecological tension. Subtle shifts in light and perspective suggest that landscapes are not merely static backdrops, but living systems, vulnerable, resilient, and in constant flux. I aim to prompt viewers to pause, look closely, and reconsider their relationship to the land in a time of ongoing transformation.

State: MD

Dimensions: 16 x 24
Media: Watercolor

State: MD

Dimensions: 27 x 18
Media: Watercolor

State: PA

Dimensions: 47 x 29 x 11
Media: Cherry log, hickory sticks, and gas mask
Artist Statement : This is a concerning statement about how much of our forests are in danger from pollution and over logging, also the clearing of forests to build McMansions. That is the tree alphabet written on the front

State: VA

Dimensions: 12 x 16 x 0.5
Media: limited edition archival print of digital photograph
Artist Statement : Taken on the banks of what is left of the Santa Ana River. The river has been channeled to prevent flooding but has no beauty or charm to soften the urban landscape. It's reduced to a trickle even in April by drought.

State: VA

Dimensions: 14 x 18 x 1
Media: limited edition archival print of digital photograph enhanced by Photoshop
Artist Statement : The farm in Loudoun County, VA, is typical of farms throughout the United States which have succumbed to lack of interest by the young, consolidation of farming by large corporations, and the rising value of and changing use of neighboring land. I desaturated the plants and trees to emphasize the loss.

State: TX

Dimensions: 14 x 23 x 1.25
Media: charcoal & acrylic on printed PLA (polylactic acid) 3D modular form
Artist Statement : Many of my current works are images of communications towers, quiet but insistent vertical interruptions punctuating the long horizons where I live in West Texas. Drive-by landscapes are drawn or painted on surfaces made from printed modular three-dimensional forms that interlock physically, creating a gray and white grid that suggests the base layer of an Adobe Photoshop image or the signal distribution patterns for a cell phone network. In this work, the underlying structure supporting the surface is visible at the boundaries of the image, where its tessellated edges suggest it could continue indefinitely, echoing the relationship between the towers and the continuous flow of transitory images that we so easily disassemble and reassemble on the ubiquitous screens of our tablet computers, smart phones, or televisions.

State: TX

Dimensions: 5 x 7 x 0.75
Media: acrylic on printed PLA (polylactic acid) 3D modular form
Artist Statement : Many of my current works are images of communications towers, quiet but insistent vertical interruptions punctuating the long horizons where I live in West Texas. Drive-by landscapes are drawn or painted on surfaces made from printed modular three-dimensional forms that interlock physically, creating a gray and white grid that suggests the base layer of an Adobe Photoshop image or the signal distribution patterns for a cell phone network. In this work, the interlocking pieces create a small tablet form, echoing the relationship between the towers and the continuous flow of transitory images that we so easily disassemble and reassemble on the ubiquitous screens of our tablet computers, smart phones, or televisions.

State: TX

Dimensions: 19 x 15 x 1.5
Media: polymer gravure on Arches 88 with Akua ink
Artist Statement : The gate of Santuario de Chimayo in New Mexico fascinated me; this entrance into a place or purported miracles.

State: TX

Dimensions: 20 x 15 x 1.5
Media: polymer gravure printed on a collaged base of vintage papers attached to Arches 88 with Akua ink
Artist Statement : Picture taken on a hike in Alpine,Texas on Hancock Hill. the imagae wa printed on vintage papers collected on my trips. reminds me of a fairy tree mystical and yet its just a tree with bicycles hung in it?. A magical find on an early morning walk even in alpine tx.

State: CT

Dimensions: 14 x 11 x 1
Media: Digital Archival Photograph Sublimated to Aluminum

State: MD

Dimensions: 12 x 12 x 1
Media: Mixed media collage on canvas

State: Maryland

Dimensions: 24 x 30 x 3
Media: oil on canvas.
Artist Statement : Erosion continues as climate change introduces more violent storms and rising tides.

State: MD

Dimensions: 24 x 24
Media: Digital Photo
Artist Statement : Sunrise over the Colorado Plateau and Abiquiu Reservoir in northern New Mexico, viewed through the lattice work of a tree that continues to provide beauty even in death.

State: MD

Dimensions: 21 x 29
Media: Digital Photo
Artist Statement : The view towards the north from Ghost Ranch, NM is usually dominated by Cerro Pedernal, but the mesa was dwarfed on this afternoon in May by cumulonimbus clouds.